The source of this importance and fame was an obscenely rich silver deposit underneath a mountain called ¨Cerro Rico¨(Rich hill) which towers above the town. As soon as a few Spaniards got wind that the mountain was practically leaking silver, the fate of the people there (and many would say the fate of the country) was pretty much sealed. Over the course of the next several hundred years, silver mining, and more recently tin mining, has played a central part in Bolivia´s social and economic history, with Potosi as the site of several battles, and with miners at the center of several political upheavals and revolutions (including a miner blowing himself up at the capital with dynamite as recently as 2001). All told, the wealth that was taken from Potosi back to the Spanish crown is so great that it is said that you could construct a bridge, spanning from Potosi across the ocean to Madrid, made entirely of the silver they extracted.
Probably because of this significant history, Potosi is also home to a number of Bolivian cultural traditions, including the charango, that cool tiny instrument we mentioned earlier. It is culturally and historically significant enough to be a UNESCO World Heritage site. Our plans in town were pretty straightforward: to visit the center of Bolivia´s mining and monetary history, La Casa de la Moneda, and to pay a visit to a mine.
The Casa de la Moneda was Spain´s mint (and after independence, Bolivia´s mint) all the way until the 1950s or so. So much silver was being produced from Cerro Rico that when the Spaniards began using coinage, it was probably much easier to just produce the coins at the source. You can tell how important this site was to the Spaniards: at the time, it was one of only three mints in their empire: Lima, Mexico City, and Potosi. Now the site houses an extensive museum including bits of history from the mining and coining days, but also hosts a fair degree of Bolivian art, Bolivian minerals, and ostentatious silver products of the times. We particularly enjoyed checking out all the coins from across history as well as the intact simple mechanical machinery that they used to power the smelting of silver and the stamping of the coins. These massive donkey-and/or slave-powered apparatuses were hauled all the way from Spain, across the Andes, piece by piece, until they were assembled in Bolivia some 14 months later. Engineers, check out the ¨precision¨of the interlocking gear ratios, made entirely out of wood.
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The next thing on the list was to visit a mine. There were a number of tours that offered comprehensive tours of the mines, replete with hours and hours of crawling around through extremely cramped, noxious tunnels with sludge and slurry underfoot. Yes, they take tourists through active mining sites. In a way, this is ¨gonzo¨tourism, with people who go on these tours getting a pretty real (and thus miserable) perspective on the horrible realities of mining. Yet as hilarious as certain male-model movie scenes might be, we both felt that it wasn´t quite right to pretend to know the miners´experience with 3 hours of crawling through their mine while in reality theirs is a [short] lifetime of backbreaking, toxic labor.
With a healthy respect for their work and our own privilege, we decided on a much more subtle and admittedly convenient view on the mines: a quick visit to El Tio, the Lord of the underworld. This folkloric figure is said to oversee everything in the mines, including life, death, and bounty, and the fervent belief among miners is that El Tio will look after them if they look after him. So every day, at every separate tunnel entrance to every mine in Bolivia, miners (and visitors) will give El Tio a gift in return for his protection while they are inside. Mostly these gifts are in the form of vices like alcohol or cigarrettes. Since we didn´t have these on us, we though he might enjoy some orange Trident gum after his smokes and some coca candy to help with his hangover. See the side bar of this article for more info. on the El Tio legend as well as a review of what is said to be an excellent documentary on mining in Potosi.
Did we mention that we chose to visit this scary character in the middle of an unlit mine, with no flashlights, on Halloween? In Bolivia, they don´t really celebrate Halloween, although we did see a few kids´parades that were getting into the act, so give it a few years and the 31st will probably be a big holiday. What they do celebrate is called Dia de todos Santos, and it holds a more solemn significance than our Halloween or even Mexico´s Dia de los Muertos. Usually the holiday falls on the first 2 or 3 days of November. So on the 31st, we did see the town gearing up for the holiday, selling boatloads of bright pink bread and donuts (don´t they look like Homer´s favorite donuts on the Simpsons?), as well as special breads that are shaped like bodies and adorned with porcelain painted faces. These are the items that in the next two days will be placed beside the grave sites of the departed.
After our trip to the mine, we met two fellow travellers, Joanna and Julia, and struck up a friendship with them that would develop into several days of travelling together to our next destination, the official and unofficial capital of Bolivia, the ¨White city¨of Sucre.

